tóng-àn:Abu Nuwas.jpg
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Abu Nuwas, Drawing by Kahlil Gibran al-Funun 2, no. 1 (June 1916) Abu Nuwas was born in al-Ahwaz between 130 and 145 A.D. His father belonged to the army of Marwan II, the last Umayyad, while his mother was of Persian descent. His education as a youth took place in Basra and Kufa. He is said to have studied for a time among the Bedouins in order to improve his linguistic skill.1 The appearance of Abu Nuwas’ poetry in al-Funun was very appropriate in that he has been regarded by later day critics as the representative of a modern school of poets during his day. His remaining poetry, which contain many panegyrics to the Barmakids of Baghdad and al-Amin the son of Harun al-Rashid, imbued a freshness into the genre of classical Arabic poetry that made it appealing and alive; a fact which is still evident to this day. Though he composed many of his poems in the classical style, he was not limited to it. He injected into his poetry, which were often of very un-Islamic topics, such as wine and self-indulgence, a remarkable number of new terms, many of which were either Persian or vernacular expressions of the locale in which he resided. Abu Nuwas’ use of new words and vernacular expressions was very appealing to the literati gathering together through the auspices of al-Funun in New York City. He presented an example of an Arab poet who on the whole used language correctly though there may have been some errors grammatically in his poetry.2 The appearance of Abu Nuwas within al-Funun was in large part a legitimization, if one was truly needed, by those contributing to al-Funun for their right to experiment with the Arabic language. He represented one of the great poets from the golden age of Arabic literature who wrote creative and appealing poetry, but who did it in a fresh, appealing manner and in his own way. |
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Chhut-chhù | https://www.kahlilgibran.com/digital-archive.html?category[0]=1&category_children=1&own=0&tag[0]=abi-nawas | |||||||||||||||||||||||
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creator QS:P170,Q47737 |
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Public domainPublic domainfalsefalse |
本作品在其來源國以及其他著作權期限是作者逝世後70年或以下的國家與地區屬於公有領域。 你必須增加美國公有領域標籤顯示為何這個作品在美國屬於公有領域。 請注意少數國家的著作權保護期為70年以上:墨西哥為100年,牙買加為95年,哥倫比亞為80年,瓜地馬拉與薩摩亞為75年,而這些國家不實施較短期限法則,因此該圖片可能在這些國家不被認為是公有領域。宏都拉斯的著作權期限一般為75年,但該國實施較短期限法則。對於在第二次世界大戰期間為法國利益戰死的法國人(更多資訊)、二戰期間參與過蘇德戰爭(俄羅斯稱之為偉大的衛國戰爭)的俄羅斯人,以及蘇聯時期遭到鎮壓,而死後獲得平反的犧牲者(更多資訊),這些人的作品著作權期限會有所延長。 | |
此作品無已知的著作權限制,亦不受所有相關和鄰接的權利限制。 |
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在此檔案描寫的項目
描繪內容 繁體中文
6-goe̍h 1916格里曆
多媒體型式 繁體中文
image/jpeg
資料大小 繁體中文
330,626 Byte
高度 繁體中文
1,063 ōe-sò͘
寬度 繁體中文
833 ōe-sò͘
檔案歷史
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日期/ 時間 | 細張圖 | 寸尺 | 用者 | 註解 | |
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現在 | 2019年8月8日 (拜4) 04:17 | 833 × 1,063(323 KB) | FunkMonk | Bigger. |
影像連結
以下的頁連到這个影像:
元資料
Huōng-ôi | Biĕu-cūng |
---|---|
水平解像度 | 72 dpi |
垂直解像度 | 72 dpi |
使用的軟體 | Adobe Photoshop CS3 Windows |
檔案改變的日子佮時間 | 2019年8月7日 (拜3) 22:17 |
色彩空間 | 顏色未校準 |
影像寬度 | 833 px |
影像高度 | 1,063 px |
數位化的日期時間 | 2019年8月8日 (拜4) 00:17 |
詮釋資料最後修改日期 | 2019年8月8日 (拜4) 00:17 |