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tóng-àn:Painting, portrait of Nader Shah seated on a carpet, oil on canvas, probably Tehran, 1780s or 1790s.jpg

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Painting, portrait of Nadir Shah seated on a carpet, oil on canvas, probably Tehran, 1780s or 1790s

This painting is a portrait of Nadir Shah Afshar, one of the most important figures in Iranian history of the last 300 years. Nadir Shah was a brilliant military commander of humble origins who rose through the ranks due to his talent. He was a key figure in the restoration of order in Iran after the Afghan invasion of his country in 1722. At first, he worked in the name of members of the previous dynasty, the Safavids. In 1736, however, he declared himself Shah, and he ruled with considerable success until his assassination in 1747. He established a large and effective army that had few rivals in Asia. With it he repulsed the Ottomans and Russians from Iranian territory and conducted a successful invasion of the Mughal empire in what is now Pakistan and northern India. He defeated the Mughal army in 1739 and seized the capital, Delhi. Among the loot he acquired was the Mughal emperor's jewels, which are still kept in the Central Bank of Iran in Tehran.

This is one of only two portraits of Nadir Shah in oils that survive, but they both seem to date from the late 18th century, several decades after his death. The Shah is shown wearing weapons and other accoutrements (armbands, belt, hat band etc.) that are jewelled with precious stones understood to be from the Mughal treasure. The carpet on which he sits is also Mughal.

Painting, oil pigments on canvas, portrait of Nadir Shah.

Frame height: 179cm

Frame width: 116.5cm

Weight: 60kg (Rough estimate of weight framed and glazed)

Frame depth: 7.5cm
Ji̍t-kî 在1780年到1800年之間
date QS:P,+1500-00-00T00:00:00Z/6,P1319,+1780-00-00T00:00:00Z/9,P1326,+1800-00-00T00:00:00Z/9
Chhut-chhù Victoria & Albert Museum, London (link:[1])
Chok-chiá 未知Unknown author
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(Bô siŏh-huòi sāi ciā ùng-giông)
此為如實地拍攝平面藝術品的相片複製本。原作位於公有領域,是因下列原因:
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本作品在其來源國以及其他著作權期限是作者逝世後100年或以下的國家與地區屬於公有領域


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維基媒體基金會的官方立場認為:「針對平面公有領域的藝術作品進行忠實重製,其重製後的照片也屬於公有領域。」
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